God's gift of music is actively offered in praise and thanksgiving at all of our worship services and includes
myriad genres of music, from classical to world music, instrumental to vocal, and meditative to energizing.
The choir sings
during the Sunday worship service
from September through May,
and occasionally during the summer.
Choir practice
is held on Wednesday evenings
at 6:30 PM during the season. An option of Vespers at 5:30 PM and/or a carry-in supper at 6:00 PM precedes choir practice.
CAUSE FOR CELEBRATION The Chicago
Staff
Band
—
William Himes,
Bandmaster
— with Rudolf Zuiderveld, Organist
This CD contains several beautiful musical selections, with
vocal and instrumental soloists. Three works were
recorded at First Presbyterian Church, featuring Rudolf Zuiderveld
on the Brombaugh organ: Now Thank We All Our God—Marche
Triomphale, by Sigfrid Karg-Elert; Rigaudon by Andre
Campra; and a sonic spectacular: The Finale from Saint-Saens Organ
Symphony (No. 3) arranged for band.
$15.00 Call the church office to purchase - 217.528.4311.
Now
available:
Robert Clark's recording of music by Johann Sebastian Bach on the Brombaugh Organ,
Opus 35, is available through Arsis
Audio, or through the church office (217.528.4311). More .
. .
From the Choir Director -
Bernard Wiseman
Music for
Sunday, May 11
Introit
Come Now To Worship The Lord
Anthem Alleluia, Praise!
............................................................... Luigi Chreubini — arranged by Douglas E. Wagner — Dorothy Taft, Accompanist
Choral Benediction God Be With You Till We Meet Again
............................. William Tomer
From the Organist -
Dr. Rudolf Zuiderveld
Music for
Sunday, May 18
Prelude:
Hymnus, Veni Creator Spiritus (3 verses), De Sancto Spiritu ............................................... Samuel Scheidt
Offertory: Holy, Holy, Holy, Lord God Almighty
.................... Hennie Slettenhaar
Postlude: Come Creator, Holy Ghost (Prelude and Chorale) (Veni Creator Spiritus) ............................................. Johann Sebastian Bach
Music note :
In the beginning of the season of the year that begins at Pentecost, we hear a grand setting of the ancient Pentecost Hymn, Veni Creator Spiritus- Come Creator Holy Ghost, a prayer for the arrival and presence of the Holy Ghost, set by Samuel Scheidt in his Tabulatura Nova of 1624. Scheidt published this first comprehensive printed collection of organ music in Germany, in a magnificent style. In three verses, the chant is heard in long notes, a cantus firmus: first in the soprano. then the tenor, and finally in the bass.
The popular hymn for the Trinity is the 19th-century English hymn, Holy, Holy, Holy — Slettenhaar has paraphrased this melody into a beautiful hymn setting, accompanying the Offertory. Bach set his version of the Veni Creator in a collection of 18 large-scale chorale preludes, collected near the end of his life: the melody is at first accompanied by strongly syncopated accents on every third sub-beat (signifying the Trinity), that blossoms into a second section where bell-like manual music accompanies the cantus firmus, thundering below in the pedal. Grand music, celebrating an important theological doctrine central to historic Christianity.